Art
The wellbeing benefits of making art outdoors
Ali Edwards is an illustrator and designer based in Berwick who creates hand-drawn maps and illustrations inspired by the landscapes and history of the North East and beyond. Ali also teaches a range of workshops to help inspire others to explore nature and heritage through their creativity.
Let me introduce ‘Green Sketching’
My creative practice is fuelled by my love of the natural world, with much of my self-led illustration and design inspired by nature-based subjects. But actually getting outside and drawing what I can see is something I’ve only come to quite recently, thanks to the encouragement I found when I read The Green Sketching Handbook by Dr Ali Foxon.
It’s a wonderfully practical little field guide that encourages us to relax, let go of self-criticism, and rediscover the joy of being in nature. One of its key messages is that drawing isn’t some rare talent handed out to a lucky few, it’s a skill, and skills can be learnt, practised, and enjoyed by anyone. The drawings we make outside don’t have to be beautiful, accurate, or shareable, in fact, the focus is far more on noticing nature, observing it and then sketching it, or rather the process of observational sketching, rather than the end result.
Ali Foxon was a climate scientist who started sketching as a hobby during a particularly stressful time in her life. Being a scientist, she was really interested in how sketching made her feel calmer, less stressed and less anxious – particularly when she was sketching outdoors. So she dived into researching why the act of drawing the natural world impacted her mental state so positively.
Why it matters – for us and for nature
There’s a growing body of scientific evidence that shows time spent not just in nature, but connecting with it, has benefits for our physical, mental and emotional health and wellbeing. Conversely, being disconnected from nature has a host of negative impacts on both us and nature – we’re less likely to care about something we don’t notice.
We know that the UK is one of the most nature-depleted countries in Europe. One in six species are now at risk of extinction, and more than half of our biodiversity has already been lost. And yet, the more we lose, the less we seem to notice. Part of the problem – even for people who consider themselves ‘outdoorsy’ – is that we can walk / cycle / run in nature without paying attention to it; and we can hear a bird without consciously listening to it.
Studies have shown that the biggest impact happens when we go beyond being in nature and begin to more proactively connect with it. This is where sketching can be a powerful tool – slowing down, observing closely and recording what we notice through the physical act of sketching (rather than the super quick snap of a phone camera) begins a process of active engagement, strengthening our connection with the natural world and making us more keen to look after it. As an added bonus, strengthening our connection with nature also delivers us more personal benefits for our mental health and wellbeing.
In short, engaging actively with nature makes us happier, calmer and generally healthier, as well as making it easier for us to take decisions in our daily lives that will benefit nature (whether that means ditching the car for public transport, or installing solar panels for our roofs).
Slow down. Pick up a pencil. Start noticing nature.
Green Sketching is such a joy-filled activity and is perfect for anyone who wants to get drawing but is constantly fighting against that little voice in their head telling them that they’re ‘not an artist’ or that they ‘can’t draw’.
In Green Sketching, we learn how to quiet that voice (and all the other noise in our heads) by focusing on simple, observational sketching exercises that help us to exist in the moment, creating without pressure. And best of all, Green Sketching gets us outdoors, noticing the nature around us and perhaps opening our eyes to things we’d never have seen previously. I warmly invite you to attend a workshop with me, if you’re based in (or visiting) Northumberland or the Scottish Borders.
You can find details of upcoming workshops at: www.coostie.co.uk/workshops-and-events
John Timberlake :
Berwick Sequence
A new exhibition by acclaimed British artist John Timberlake opened at The Granary Gallery this March, bringing a deeply personal and reflective body of work inspired by Berwick-upon-Tweed’s landscape, coastline and deep geological history.
Berwick Sequence presents a series of seven paintings created following Timberlake’s return to the town in 2024, a place he first visited as a child in the 1970s. The memory of Berwick, its coastal setting and the shifting character of the River Tweed made a lasting impression on the artist, drawing him back decades later at a moment of personal reflection following the death of his father.
During his return visits, Timberlake developed initial drawings, colour studies and photographic references that would form the basis of the paintings now shown in the exhibition. He also undertook site visits with Northumberland-based geologists and archaeologists, deepening his understanding of the landscape’s physical and historical layers.
The resulting works respond to the fleeting changes of light and weather that define the Tweed estuary, alongside the slower geological transformations visible in the surrounding landscape. Together, the paintings explore landscape not simply as a place, but as an accumulation of time, memory and experience.
The exhibition presents seven untitled paintings alongside two large-scale preparatory drawings, offering insight into Timberlake’s process. The works have intentionally been left without titles or numbering, allowing visitors to experience the sequence in any order. Recurring visual motifs encourage a rhythm of progression, pause and return, inviting viewers to reconsider how landscapes are seen and understood.
James Lowther, Head of Visual Arts at The Maltings, said:
“Berwick and the North Northumberland coast have inspired artists for generations, and Berwick Sequence continues that tradition through a contemporary perspective. John Timberlake’s paintings reflect both the deep history of the landscape and the personal experience of moving through it, inviting audiences to see this familiar place in new ways.”
Berwick Sequence continues The Maltings’ commitment to presenting contemporary visual art that connects national artists with the landscapes and stories of Berwick-upon-Tweed and the wider region.
The exhibition will be on display at The Granary Gallery from 7 March until 24 May 2026.
Granary Gallery, Berwick-upon-Tweed
7 March – 24 May 2026